Category: Samples

Some Slow stitch to start the year.

Happy 2023 everyone

 

I like slow stitching. Just stitching for fun and to relax. No big purpose or major projects. Just do it as you feel like it. This suits me as I am not a great stitcher and I can pick it up and put it down without any guilt. I belong to a group on Facebook and some people are amazing artists and some just do random stitching on a piece of cloth and everything in between.

I decided I wanted t make some snowflakes and at least one tree. I had seen an interesting one in my Pinterest suggestions. To this end, I took the ripped-up sheet out of the donations box. You know what they say if you want to know what you intended for something just give it away and next week you will know what you needed it for. I was lucky that we are very slow with these things and they hadn’t made it to their destination. I am still not sure what the original idea was for these wide strips of sheet.

One piece was a little grubby looking so I chose it for the proof of concept (practice) piece. I have a nice small free-standing embroidery hoop I got at a garage sale (I think). It means it’s hands-free and can sit beside my chair and the hoop doesn’t go missing.

 

Snowflakes. I drew 3 stars onto the cloth to use as patterns. I used some thick gold polyester thread from Gutermann.

PATERN FOR SNOWFLAKES gold thread spokes for stitching snowflakes Finished gold stitched snowflake

That was easy enough so I moved on to some clean fabric

I drew the stars a little bigger and I did gold again

Patterns for snowflakes gold snowflake partially donegold snowflake finished

Then I moved on to what would be the problem thread. It is something I picked up because it was shiny but it has no markings it is just on a plane cardboard tube.  It’s a copper/bronze kind of colour and it is terrible to work with. it seems to be a wrapped thread and it kept breaking. There are a lot more knots in the back of this one. and there was a lot more cursing with the rethreading of the needle. I would have liked to add more to this but I was done with the thread.

bronze stitched snow flake

 

Next was some nice silvery embroidery thread. DMC rayon S712. I used 3 strands. It was very nice to use.

silver stitched snowflake

 

And here they are together

3 stitched snow flakes together

I switched back to the practice cloth to work on the tree. this is the trunk( obviously) I tried to do varying lengths of stitches to help it look more like bark. It is very hard to deliberately make random stitch lengths.

brown stitched tree trunk brown stitched treetrunk close up

 

This is what the back looks like where the backstitching is. I think I like it better for bark. The problem is I am having a hard time wrapping my head around doing backstitch upside down. It probably has another name with you do it that way.

back side of stitched tree trunk backside of stitched tree trunk, close up

Next is the evergreen bows. I will see how that goes. As I said it’s slow stitching.

An interesting wool sample

I’ve been running a felt study group and I wanted to share one of the more interesting samples I did in the group. I had some white welsh mountain sheep wool. I have no idea where I got it it was raw and I have had it for years because I didn’t know what to do with it.

By Vertigogen – woolly sheep, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=4875408

This is the description from Wikipedia with them giving credit to Morris, Jan (2014). Wales: Epic Views of a Small Country. Penguin Books Limited. pp. 53–57. ISBN 978-0-241-97024-9.

The Welsh Mountain sheep is usually white with a white face with no wool on forehead or cheeks and white legs with no wool below the joint. Females are polled but rams usually have curved horns, although some are polled. The fleece is thick and moderately long and the tails are not normally docked.

Breeders give a high priority to hardiness, milking ability, mothering quality and lamb survival. (Lambing percentage can be 130%, which rises to 180% under favourable conditions on improved pastures.[2]) It was not always thus; the 18th-century English agriculturist Arthur Young described the Welsh Mountain sheep as “the most despicable of all types” and a judge at an agricultural show in the 1880s described it as “a diminutive ill-shapen animal with its shaggy coat more reminiscent of hair than of wool”

I had a shoebox sized amount. As you can see not the nicest looking stuff, a bit like a horse’s mane.

I washed it in a laundry bag with some dish soap.

It took 2 washes but it came out a lovely white, white horse but white.

The locks average about 10 inches long.

 

I weighed out 25 grams and divided it into 4 and carded it into little batts. Each batt would be one layer of the sample.

The samples were all laid out 10×10 inches for easy calculation of shrinkage. At this point, I was skeptical that it would felt at all, it is so much like stong, straight hair

The piece was rubbed and rolled to felt and then rolled on a textured mat and scrunched for the fulling. Throwing doesn’t work well with such a small piece.

Much to my surprise, this is the final result. It’s a bit wonky but that’s down to my hand carding

It’s about 40% shrinkage and it is rock solid. The most I got of any of my samples. It is rock solid. I tried to felt it more but it wouldn’t budge. All the samples were made with 25grams of wool. It makes me wonder about people that say they get 50% shrinkage on their felt protects. Are they measuring differently or are they using very thin layouts? I could see this felting more if I used half the amount of wool. so if I made a sample 20inches by 20 inches with the same wool I would get a higher shrinkage rate. What do you think?

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